Exhibition notes: At Scale

The largest works in the studio roster — stretched, crated and built to hold a wall, from a frozen bay to a Provençal orchard. The show brings together 4 pieces across 3 artists, opening with Sigrid Lunde's "High Basin."

What's on view

A marketplace with transparent, published commission rates removes a specific kind of friction that direct sales rarely resolve cleanly: knowing exactly what an artist nets from a sale before either side has to have that conversation directly.

Editions exist to solve a real tension: an artist wants a piece to be affordable to more than one collector, but scarcity is most of what gives an edition its value, so the size of a run is one of the most consequential decisions an artist makes before a piece ever lists.

Why these pieces belong together

Light is the quiet threat to most home collections — direct sun does more damage in a single bright afternoon than most collectors expect, and it's the cheapest problem in the world to solve by simply choosing a different wall.

Provenance matters more the further a work travels from its original studio — a documented chain of ownership is what turns 'I was told this is authentic' into something a future buyer, insurer or appraiser can actually verify.

The show is live now — start with "High Basin" for a sense of the range on view.