コレクションとマーケットプレイスについてのノート。

What a condition report actually protects you from

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“A condition report photographed on the day a work ships sounds like paperwork. In a dispute, it's the only thing standing between 'he said, she said' and an actual resolution.”

マガジンのその他の記事

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The technique behind Camille Rouet's work

Camille Rouet works in domestic subjects in a muted, close-valued palette — a set of technical choices that shape everything from how a piece ages to how it should be priced.

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Working in a series instead of one-offs

Working in a series instead of one-offs — a look at the parts of a studio practice that rarely make it into an artist bio.

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Numbering a hand-pulled edition as it sells, not before

Numbering a hand-pulled edition as it sells, not before — a look at the parts of a studio practice that rarely make it into an artist bio.

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Writing an artist statement that isn't just a description

Writing an artist statement that isn't just a description — the business side of a studio practice, from an artist's perspective rather than a collector's.

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Licensing income vs. original sales: two different businesses

Licensing income vs. original sales: two different businesses — the business side of a studio practice, from an artist's perspective rather than a collector's.

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How to actually talk to an artist about their work before buying

A practical look at how to actually talk to an artist about their work before buying — one of the more common questions new collectors run into.

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How humidity damages paintings, slowly and quietly

How humidity damages paintings, slowly and quietly — the logistics side of collecting that rarely gets discussed until something goes wrong.

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Can I contact an artist directly before buying?

What's normal to ask before a purchase, and what to expect back.

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Framing built for transit, not just for hanging

Framing built for transit, not just for hanging — the logistics side of collecting that rarely gets discussed until something goes wrong.

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What do the edition labels actually mean?

1 of 1, Limited, and Open — what each one promises, and what it doesn't.

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Inside the collection: Field Notes

The full sketch-to-canvas sequence behind the aurora paintings — three works built from the same weeks of coastal field notes.

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How pricing actually gets set in a young art marketplace

How pricing actually gets set in a young art marketplace — a look at the economics most buyers never see spelled out.