コレクションとマーケットプレイスについてのノート。

What a condition report actually protects you from

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“A condition report photographed on the day a work ships sounds like paperwork. In a dispute, it's the only thing standing between 'he said, she said' and an actual resolution.”

マガジンのその他の記事

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Behind the work: "Break"

An open-edition pull from a hand-registered block. Each print is signed and numbered sequentially in the order it is sold. A closer look at how Rei Nakamura built the piece, and what it's actually made of.

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Editions and scarcity: the economics behind a limited run

Editions and scarcity: the economics behind a limited run — a look at the economics most buyers never see spelled out.

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Inside the collection: Modular Ground

Grid-built compositions and their pigment-print editions, released alongside the licensed digital files — three variations on one nine-cell module.

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Giclée printing, explained without the jargon

What actually happens between a digital file and an archival print — and why 'giclée' isn't a synonym for 'cheap'.

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Behind the work: "Sunday Field"

A grid experiment that got away from itself. Released open-edition at the floor price on purpose. A closer look at how Marta Vroom built the piece, and what it's actually made of.

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Commission structures, explained from the artist's side

Commission structures, explained from the artist's side — the business side of a studio practice, from an artist's perspective rather than a collector's.

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Buying internationally: what customs and shipping actually involve

A practical look at buying internationally: what customs and shipping actually involve — one of the more common questions new collectors run into.

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The technique behind Joris Maes's work

Joris Maes works in impasto landscape painting, worked outdoors in a single session and never retouched in the studio — a set of technical choices that shape everything from how a piece ages to how it should be priced.

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Inside the collection: Block & Pigment

Hand-registered woodblock pulls alongside pigment editions of the same subjects — printmaking in two techniques, side by side.

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What failure actually looks like in a working studio

What failure actually looks like in a working studio — a look at the parts of a studio practice that rarely make it into an artist bio.

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Buying art at an online fair vs. browsing a marketplace

A practical look at buying art at an online fair vs. browsing a marketplace — one of the more common questions new collectors run into.

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How long does a refund actually take?

The timeline from an approved dispute to money back in your account.