コレクションとマーケットプレイスについてのノート。

What a condition report actually protects you from

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“A condition report photographed on the day a work ships sounds like paperwork. In a dispute, it's the only thing standing between 'he said, she said' and an actual resolution.”

マガジンのその他の記事

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Pricing your first painting when there's no sales history yet

Pricing your first painting when there's no sales history yet — the business side of a studio practice, from an artist's perspective rather than a collector's.

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Studio profile: Sigrid Lunde

A look inside how Sigrid Lunde, working out of Bergen, actually gets from an idea to a finished piece — and why the process shows in the work.

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Studio profile: Rei Nakamura

A look inside how Rei Nakamura, working out of Kyoto, actually gets from an idea to a finished piece — and why the process shows in the work.

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Sourcing materials: why the linen, the pigment, the paper all matter

Sourcing materials: why the linen, the pigment, the paper all matter — a look at the parts of a studio practice that rarely make it into an artist bio.

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Provenance for beginners: why the paper trail matters

A practical look at provenance for beginners: why the paper trail matters — one of the more common questions new collectors run into.

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Studio profile: Joris Maes

A look inside how Joris Maes, working out of Antwerp, actually gets from an idea to a finished piece — and why the process shows in the work.

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Behind the work: "Polar Signal"

A single sheet of aurora over a frozen bay, painted from three weeks of field notes. The horizon line sits deliberately low so the light has room to behave. A closer look at how Ingrid Halvorsen built the piece, and what it's actually made of.

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Why outside critique changes what an artist notices in their own work

Why outside critique changes what an artist notices in their own work — a look at the parts of a studio practice that rarely make it into an artist bio.

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Insuring a home collection before it's worth insuring

A practical look at insuring a home collection before it's worth insuring — one of the more common questions new collectors run into.

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Hand-registered woodblock printing, step by step

Carving, registering and pulling a multi-block print, and why no two impressions from the same block are ever quite identical.

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Oil on linen vs. oil on canvas: what actually changes

Two supports for the same paint, and two very different long-term behaviors — what to know before assuming they're interchangeable.

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Moving house with a collection, without damaging it

Moving house with a collection, without damaging it — the logistics side of collecting that rarely gets discussed until something goes wrong.