コレクションとマーケットプレイスについてのノート。

What a condition report actually protects you from

2分で読めます

“A condition report photographed on the day a work ships sounds like paperwork. In a dispute, it's the only thing standing between 'he said, she said' and an actual resolution.”

マガジンのその他の記事

1分で読めます

Inside the collection: Interiors, Held Still

Domestic interiors held within a close, muted palette — two rooms painted so quietly the light barely moves.

1分で読めます

Building a collector base that buys more than once

Building a collector base that buys more than once — the business side of a studio practice, from an artist's perspective rather than a collector's.

1分で読めます

Finishing a piece outdoors in one sitting, and never touching it up

Finishing a piece outdoors in one sitting, and never touching it up — a look at the parts of a studio practice that rarely make it into an artist bio.

1分で読めます

How are artists actually paid on Bello?

From escrow release to wallet balance to withdrawal — the payment path a sale actually takes.

1分で読めます

Behind the work: "Windward"

Painted from photographs taken aboard a working shrimp boat over two seasons in the Gulf. A closer look at how Sigrid Lunde built the piece, and what it's actually made of.

1分で読めます

Inside the collection: Wet Paint, Once

Outdoor landscapes finished in a single sitting and never reworked indoors — three canvases painted at the pace the light allowed.

1分で読めます

Can I return a piece I've bought?

The 14-day return window explained, and what it actually covers.

1分で読めます

Collecting emerging artists on purpose, not by accident

A practical look at collecting emerging artists on purpose, not by accident — one of the more common questions new collectors run into.

1分で読めます

How to size a limited edition without guessing

How to size a limited edition without guessing — the business side of a studio practice, from an artist's perspective rather than a collector's.

1分で読めます

Negotiating price on a limited edition, and when not to bother

A practical look at negotiating price on a limited edition, and when not to bother — one of the more common questions new collectors run into.

1分で読めます

Currency exposure for international art buyers

Currency exposure for international art buyers — a look at the economics most buyers never see spelled out.

1分で読めます

Behind the work: "High Basin"

Stretched, framed and crated in the artist's own shop before it goes anywhere near a carrier. A closer look at how Sigrid Lunde built the piece, and what it's actually made of.